Below Grand Gallery(@belowgrandnyc) 인스타그램 상세 프로필 분석: 팔로워 16,090, 참여율 0.76%

Opening tomorrow, Saturday, November 15 at 52 Allen from 5-7 PM Microplastics in My Genitals, curated by Mo Kong, featuring the work of Terrance James Jr. In “Microplastics in My Genitals,” artist Terrance James Jr. uses a visual, autobiographical lens to examine forced maturity in Black childhood, gender conditioning, and generational trauma. Through toys and play, he reveals how social violence seeps into the body and psyche, like invisible microplastics woven into everyday life. Balancing humor and anger, the exhibition traces a search for lost innocence and a resistance to imposed identity codes—ultimately calling for play as a vital mode of survival. @mosmosk @_terrancejames_

Opening this Saturday, November 15 at 53 Orchard from 5-7 PM yachachiqniykunapaq, curated by Jesse Firestone, featuring the work of Carlos Jimenez Cahua For his second New York solo exhibition, yachachiqniykunapaq, Carlos Jimenez Cahua presents makiykupi, hoqmanta, an experimental social project involving the repatriation of wakas, sacred and ceremonial objects from the Andean region originally buried alongside the dead, dating from as far back as 3,000 years ago. Purchased on the open market and taken out of private collections, these wakas are now, for the first time since their looting, under the care of Andean descendants in their daily lives, residing in homes, offices, and, in one case, the dormitory room of a college student. A total of ten community members have agreed to collaborate with Jimenez Cahua and be the caretakers of these artifacts. Some of these artifacts, alongside other works, will be on view at Below Grand, a small gallery on the Lower East Side housed within a restaurant supply store. @heavymetalcurator

Opening this Saturday, November 15 at 53 Orchard from 5-7 PM The Christmas Show , curated by Jesse Firestone, featuring the work of Christopher Gambino Window displays are always theatre, always mausoleums—perfumes and blouses rehearsing for the lives they will never live. Gambino seizes this form, twists it, and casts himself as the eternal understudy in his own spectacular demise: the life of an artist, the life of a star. These sculptures are not just props but players, not objects but mirrors. This year, everyone gets coal, but bring Christopher his flowers. Please. @heavymetalcurator @christophergambino

Final day “Nightmares in Blood” curated by Arthur Peña 12-6 at 53 orchard @arthurdpena

Tomorrow is the final day to see Dimitri Karakostas in Wilderness of Mirrors, curated by Jacob Patrick Brooks Open 12-6 at 52 Allen st @theworstpoet @worldsstrongestpainter

This is the last week to see both of our Artforum Must See shows 52 Allen st Wilderness of Mirrors Curated by Jacob Patrick Brooks Catherine Mulligan Dimitri Karakostas Jackson O Brasky Jenna Bliss Siobhan Ekeh Tommy Mishima. 53 Orchard Nightmares in Blood Curated by Arthur Peña Clive Barker Mark Bloodworth The Gurch Allen Koszowski Gary Leib Gigi Murakami James O’Barr S.C.A.R. Tim Tyler Tim Vigil Maria Wolf

On view now: ‘Nightmares in Blood’ curated by Arthur Peña Saturdays 12-6pm and by appt @ 53 Orchard thru Nov 8

“Wilderness of Mirrors” curated by Jacob Patrick Brooks open at 52 Allen until nov 8, open tomorrow 12-6 Jackson O’Brasky Bad Politics 2025 27 x 36” Oil on canvas @jackson_obrasky @worldsstrongestpainter

On view now: ‘Nightmares in Blood’ curated by Arthur Peña @arthurdpena Saturdays 12-6pm and by appt @ 53 Orchard thru Nov 8

On view now: ‘Wilderness of Mirrors’ curated by Jacob Patrick Brooks Tommy Mishima Spot the difference, 2025 Ink and gouache 22 x 38” Saturdays 12-6pm and by appt @ 52 Allen thru Nov 8 @dreifachganger @worldsstrongestpainter

On view now: ‘Nightmares in Blood’ curated by Arthur Peña Image 1: Installation view, S.C.A.R. (Steve Carter and Antoinette Rydyr) and The Gurch Image 2: S.C.A.R. (Steve Carter and Antoinette Rydyr) Misfit of Nature, detail Inkjet print 16 x 24 in 1999 Image 3: The Gurch Most Foul Pen and ink 16 x 24 in 2024 Australian duo Steve Carter and Antoinette Rydyr began working together as S.C.A.R. (@scarstudios) in the early 1990s, producing works for overseas and local publishers. Although it represents only one aspect of their work, S.C.A.R. have a reputation for extreme and explicit blood and guts. They are no strangers to the issues of censorship. All three issues of their horror comic book series Spore Whores are banned in Australia. Printing and exhibiting their work is an act or rebellion and in service to the act of free expression. S.C.A.R. also produce avant garde, free improvisation music and electronica with their bands: Fistfunk Futurists, TeknoSadisT and Napalm Enema. Little is known of the UK based artist known only as The Gurch. He would say that he has peeked out from his deep, dark abyss to share a survey of his works for this US debut. What is known is that The Gurch is a pioneer of the “splatterpunk’ aesthetic of 1980s indie comics, which redefined the modern horror comic landscape. Having made his debut in FantaCo’s seminal Gore Shriek series in 1989, The Gurch would continue to contribute to the anthology series up to this year’s Kickstarter funded Gore Shriek Resurrectus Volume Three. The Gurch continues to create obscenely idiosyncratic work that is wildly imaginative and often full of dark humor. An underground legend, The Gurch has blessed us with his unholy visions. Open today, Saturday, 12-6pm and by appt @ 53 Orchard thru Nov 8

On view now: ‘Wilderness of Mirrors’ curated by Jacob Patrick Brooks Catherine Mulligan AF1 + EDC, 2025 Oil on board 24 x 30” Saturdays 12-6pm and by appt @ 52 Allen thru Nov 8 @worldsstrongestpainter @catherine.mulligan